HOUSE OF ZEMBLA

2-horz

If you’ve visited this blog at any point during the past few months, you’ll be familiar with my increasingly monomaniacal obsession with drag and Paris is Burning ball culture. Please refer to this video of Friday night’s debauchery. Yes, I was that cunt wearing sunglasses in a dark corner of the club. I couldn’t see a thing, but boy oh boy, if you could have seen me you’d be all “who’s that beguiling, enigmatic, beshaded boy!? How do I penetrate his chic, expressionless exterior and get to know him?!”.

You might also be familiar with Exetera, the magazine which I will officially edit come September, taking over from the great and often late Max Benwell.

Are you enjoying all the links?

For the upcoming edition of Exetera, I finally managed to indulge my drag aspirations and lady myself up in front of the lens of the talented Felix McCabe. My botched attempt at makeup, involving budget high-street buys and an excessive amount of pink glue in my eyebrows, shaped me into a perverse hybrid of Marlene Dietrich, Marylin Monroe, Myra Hindley and one of Toulouse-Lautrec’s syphilitic prostitute muses. So, I decided to name my creation Myra Le Monstra, obviously.

REALNESS

#FISH

The photographs accompanied an article about the legacy of power dressing, called ‘Standing on the Shoulder Pads of Giants’, into which a managed to weave quotations from RuPaul, Simone de Beauvoir, and, every english student’s wet dream, Judith Butler. They were, respectively, ‘We are born naked and the rest is drag’, ‘One is not born a woman but rather becomes one’, and ‘In imitating gender, drag implicitly reveals the imitative structure of gender itself’. See, being fierce and vaguely intelligent are in no way mutually exclusive.

The Political Issue of Exetera is currently being printed and will be available for free in Exeter, and shortly afterwards online. Myra Le Monstra is unavailable for bookings; she broke a nail.

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